Sinds 2010 brengt Glossa van Schola Cantorum Basiliensis, gespecialiseerd in oude muziek, opnamen uit de rijke historie opnieuw uit. Dit album is La Contadina, die de negenentwintig jarige Hasse schreef op zijn eerste reis naar Napels. Dit werk (dat als intermezzo wordt gebruikt) werd een groot succes, tussen 1728 en 1769 waren er 38 producties bij de belangrijkste operahuizen. Het sprankelende libretto vol humor en verleiding vormt de basis voor een modern en aansprekend werk, hier uitstekend uitgevoerd door sopraan Graciela Odonne en bas bariton Lerenco Regazzo. De alledaagse gebeurtenissen in deze twee scenes vormen een opmerkelijk contrast met de werken van Bach in dezelfde periode schreef.
J. A. Hasse: La Contadina
Hasse, J A:
La Contadina
Mascitti:
Concerto in G major, Op. 7, No. 6
Graciela Oddone (sopraan) & Lorenzo Regazzo (bass-bariton)
Ensemble Arcadia, Attilio Cremonesi
At the age of 29 Hasse was on his first visit to Italy when he wrote 'La Contadina' in Naples. The music of the intermezzo, which sparkles with wit and temperament, enjoyed such a great success that a total of 38 productions in major European opera houses can be documented between 1728 and 1769. 'La Contadina' was one of the hits of the 18th century.
It is hard to believe that this work was composed at the same time as Bach’s cantatas and passions. Its strengths include a spirited libretto full of humour and earthy eroticism, and, above all, extremely modern music that is already endowed with all the characteristics of the subsequent Classical style. The timeless vitality of the agile recitatives and individually fashioned arias will also captivate today’s listeners.
At a time of a substantial reappraisal of the work of composers such as Porpora, Vinci, and Mancini, as well as Hasse himself, Glossa and the Schola Cantorum Basiliensis are pleased to be able to reissue this splendid recording which, apart from featuring notable singers in Graciela Oddone and Lorenzo Regazzo, involves fine instrumental players such as Pablo Valetti, Amandine Beyer, Riccardo Minasi and Attilio Cremonesi.
