De scheidslijn waar jazzmuziek ophoudt en moderne muziek begint (of andersom) is moeilijk aan te geven. Edward Kennedy 'Duke' Ellington componeerde jazzmuziek, muziek voor grote ensembles en voor het theater. Op deze cd een weergave van deze drie invalshoeken in diverse orkestraties. Soms knalt de jazz er uit met swingende blazers, dan weer de ernst van een filharmonisch orkest. Balletmuziek wordt afgewisseld met spirituals. De afsluiting is een arrangement van Ellington van het nummer Take the A-train. So let’s play jazz!
Ellington: Black, Brown, and Beige
Harlem
Black, Brown & Beige Suite
Three Black Kings
Sal Andolina (clarinet & alto saxophone)
Suite from 'The River'
Strayhorn:
Take the A Train
arr. Ellington
Sal Andolina (alto saxophone), Tony Di Lorenzo (trumpet) & Amy Licata (violin)
Buffalo Philharmonic Orchestra, JoAnn Falletta
Edward Kennedy ‘Duke’ Ellington wrote some of the twentieth century’s greatest Big Band music, but he also wrote in a variety of forms. The boisterous and evocative Harlem pays tribute to Ellington’s roots, Black, Brown, and Beige sets work songs and spirituals, whilst the suite from The River shows his genius in writing for the stage. Three Black Kings, scored as a ballet, was left unfi nished at his death, but shows no lessening of invention. Ellington’s arrangement of Billy Strayhorn’s Take the ‘A’ Train became famous around the world after the outbreak of World War II, and ranks among the most widely recorded standards of all time.
Duke Ellington’s suites were written for a variety of reasons. The master of Big Band jazz was also a master of tone poems such as the boisterous and evocative Harlem and the African-American-celebrating Black, Brown and Beige. Each piece reflects a facet of his genius, from the early maturity of Harlem to his late, uncompleted Three Black Kings.
